| Medill
School of Journalism, Northwestern University |
New
productions put Chicago film scene back in action
by Robert Heidrick
Nov 01, 2007
Production for a slate of major film and television projects is
underway this fall in the Chicago area, with several scenes planned
for downtown, North Side and north suburban communities.
Despite its long cinematic history, Chicago has recently experienced
a lull in its ability to draw large-scale film productions. This
fall the trend appears to have been reversed with the arrival of
film crews for the DreamWorks feature film “Eagle Eye”
and a TNT television pilot entitled “Leverage,” both
of which will be filmed on location throughout the city in November.
“It’s been a very good year for TV and filmmaking [in
Chicago],” said Kit Woods, assistant executive director of
the Chicago office of the American Federation of Television and
Radio Artists. “We hope that it remains so.”
A portion of “Eagle Eye,” a thriller featuring “Transformers”
star Shia LaBeouf as a Chicago teen caught up in a terrorist assassination
plot, will be shot for two weeks starting Nov. 6, according to DreamWorks
spokeswoman Deborah Wuliger. While Wuliger could not provide information
on specific filming locations, her office reported that scenes were
scheduled to be filmed in the city’s northern half and the
adjacent suburbs.
The film is scheduled for release in late 2008.
Meanwhile “Leverage,” a new show helmed by “Independence
Day” director-producer Dean Devlin, has been filming since
mid-October around the Loop and in North Side neighborhoods along
North Elston Avenue. The series centers on a gang of technologically
savvy thieves led by Oscar-winner Timothy Hutton.
Part of Chicago’s appeal to studios is the Illinois Film Production
Tax Credit, originally signed by Governor Rod Blagojevich in 2003
and amended in May 2006 to increase incentives for hiring crew members
from high poverty areas.
The program offers a tax incentive of 20 percent on Illinois production
spending each year as well as a 20 percent credit on Illinois crew
member salaries up to $100,000.
According to Tax Credit Manager Joyce Davis of the Illinois Film
Office, about 75 to 100 film productions apply for the incentives
annually, and most of the applications qualify for the program and
are approved.
Through her role in representing Chicago-area performers, Woods
said she has observed a definite rise in the number of productions
and associated jobs for actors and crews in the community.
“The tax credit is a phenomenal help, and it increased opportunities
greatly here,” Woods said.
While the tax program tends to benefit mostly large-scale film productions,
independent productions have also seen a resurgence.
Roger Marsh, a filmmaker and playwright who runs Tremont Avenue
Productions in West Ridge, said his creative inspiration comes from
some of the more bizarre elements in the city’s history that
readily lend themselves to interpretation.
“You probably can’t stand on a street corner in Chicago
without being someplace where something terrible happened in the
past,” he said.
Marsh will soon begin work on his film “Tragic Lincoln,”
in which the filmmaker artistically recreates, block by block, a
century’s worth of actual violent crimes that took place on
North Lincoln Avenue.
Whether the productions are mainstream or independent, Kit Woods
said Chicago is an attractive venue to studios because it offers
a broad range of industry professionals who are eager to get to
work.
“We have a world-renowned talent pool because of all the comedy
and improv that goes on here,” Woods said. “The talent
is very well-trained, the city is beautiful and it’s really
a collaborative effort to bring films in and make sure filmmakers
are happy and come back.”
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